![]() ![]() Two others I sometimes suggested were Candida and Rockwell. Or maybe Georgia or Utopia, or really, any of the many modern moderns. I’ve used Century Schoolbook with it a few times. Probably something rather plain and straightforward. Something modern (as opposed to old style) with a fairly large x-height. I like to be surprised.īut, that didn’t seem to be the answer they wanted to hear, so I tried to think what I might use myself. Maybe it’s just me, but I don’t like to tell people how a typeface I designed should be used. And as a type designer, I didn’t really think it was my problem. You might come up with something completely different than I would. That’s one of the skills you learn when working with type. It was more like, figure it out yourself. It’s not that I never combined serif and sans serif faces in my work as a graphic designer. In all the time I’d spent working on Proxima Nova (and its earlier incarnation, Proxima Sans), I had never really thought much about this. ![]() Here you can watch the video or read the illustrated transcription below. “Fonts In Use” is a collaborative website where interesting or notable examples of fonts in use are shared.For our first Font Fashion Week, type designer extraordinaire, Mark Simonson, spoke about his new typeface Proxima Sera, the long-awaited companion to the world-famous Proxima Nova. ![]() My announcement of the initial release of Proxima Nova on my blog, June 30, 2005. Sneak preview of Proxima Nova a few months in March 2005, a few months before release. First Public Use of What Became Proxima NovaĪ post on my blog in which I talk about how I used an early version of Proxima Nova for the package design I did for “Star Wars: The Original Radio Drama” in 1993.Complete text and display specimen for Proxima Nova Extra Condensed, including the full character sets. Complete text and display specimen for Proxima Nova Condensed, including the full character sets. Complete text and display specimen for the regular width styles of Proxima Nova, including the full character sets. The story of Proxima Nova, basic style showings, full character set and technical information. OpenType advanced typography is also supported by most modern web browsers through the use of Cascading Style Sheets ( CSS). * Requires an application or operating system with support for OpenType advanced typography, such as Adobe Creative Cloud, Affinity Designer/Photo/Publisher, or QuarkXPress. Also includes the capital German sharp S. Extended language support for most Latin-based Western and Central European languages and Vietnamese, as well as Greek and Cyrillic.Alternate characters (a, l, y, G, slashed zero, and seriffed 1).*.Full “f” ligature set (ff, fi, fl, ffi, ffl, etc.).*.Lining and old style figures (proportional and tabular).*.Case-sensitive forms for all-caps settings.*.Matching small caps for all weights and widths.*.Matching italics for all weights and widths.5 widths: Normal, Condensed, Extra Condensed, Wide, and Extra Wide. ![]() 8 weights: Thin, Light, Regular, Medium, Semibold, Bold, Extrabold, and Black.Proxima Nova is also available separately as a variable font called Proxima Vara. Since the mid-2010s, Proxima Nova has become the most popular commercial (paid) font on the web, used on hundreds of thousands of websites around the world. Additions have included support for Greek, Cyrillic, and Vietnamese, numerous currency symbols, wide and extra wide widths, as well as a Medium weight for all five widths and italics, bringing the total number of fonts in the family to 80. I’ve continually updated and expanded Proxima Nova since 2005, more than doubling the character set from 700 in its initial release to 1453 characters in the latest version. I expanded the original six fonts into a full-featured and versatile family of 42 fonts (seven weights in three widths with italics). I originally released it in 1994 as Proxima Sans (now discontinued) with a basic character set in three weights (Regular, Medium, and Black) with italics. The result is a hybrid that combines modern proportions with a geometric appearance. Proxima Nova (2005) bridges the gap between typefaces like Futura and Akzidenz Grotesk. ![]()
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